We Three Kings

Anthony Kearns, Ronan Tynan, Finbar Wright We Three Kings

Anthony Kearns
Ronan Tynan
Finbar Wright
Label: Razor & Tie
Number of Discs: 1
Format: Audio CD
Release date:21st October 2003

Extra tracks Audio CD $4.99Buy now at Amazon

Track Listing

  • 1. We Three Kings - Irish Tenors
  • 2. It Came Upon a Midnight Clear - Anthony Kearns
  • 3. Santa Claus Is Coming to Town - Irish Tenors
  • 4. Fairytale of New York - Irish Tenors
  • 5. I'll Be Home for Christmas - Ronan Tynan
  • 6. Mille Cherubini in Coro - Finbar Wright
  • 7. O Holy Night - Irish Tenors
  • 8. Silent Night - Irish Tenors
  • 9. Little Drummer Boy/Peace on Earth - Ronan Tynan, Finbar Wright
  • 10. Winter Wonderland Medley - Irish Tenors
  • 11. Mary's Boy Child - Ronan Tynan
  • 12. Panis Angelicus - Anthony Kearns, Ronan Tynan
  • 13. Pie Jesu - Anthony Kearns, Finbar Wright
  • 14. How Great Thou Art - Finbar Wright
  • 15. Lord's Prayer - Anthony Kearns
  • 16. Battle Hymn of the Republic - Irish Tenors
  • 17. America the Beautiful - Irish Tenors

Amazon.com

There's a commercial inevitability to holiday song collections that can tempt music fans to mutter "humbug" under their breath. Yet while this collection (released in conjunction with the Tenors' Christmas Spectacular tour of 2003) is no less market savvy, in the end the trio's earnest, energetic performances earn their fair shair of respect. The trio's Celtic shadings impart considerable warmth to "Fairytale of New York" and other performances, but it's the range of influences they (also in solo and duet turns, all solidly backed by the Czech National Chamber Orchestra) bring to bear elsewhere that adds compelling new dimensions to these holiday favorites. Anthony Kearns' "It Came Upon a Midnight Clear" may be solidly traditional, but Ronan Tynan imparts "I'll Be Home For Christmas" with some deft, jazzy drama while Finbar Wright gives "Mary's Boy Child" an unexpected Carribean spin. Elsewhere, the folk-classical influences behind "We Three Kings," "O Holy Night," and the gospel traditional "How Great Thou Art" span renaissance, baroque, and modern with a grace missing from the on-the-sleeve sentiments of the closing duo of patriotic warhorses--what would the Prince of Peace make of "The Battle Hymn of the Republic," anyway? --Jerry McCulley

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