Romance of the Violin

John Constable, Jacob Heringman, Stephen Orton Romance of the Violin

John Constable
Jacob Heringman
Stephen Orton
Label: Sony
Number of Discs: 1
Format: Audio CD
Release date:28th October 2003

Studio Audio CD $9.15Buy now at Amazon

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Track Listing

  • 1. O mio babbino caro (from 'Gianni Schicchi')
  • 2. The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
  • 3. Nocturne in C sharp minor (Op Post)
  • 4. The Swan (from Carnival of the Animals)
  • 5. Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
  • 6. Casta Diva (from 'Norma')
  • 7. Andante from Piano Concerto No. 21 in C Major K. 467
  • 8. Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
  • 9. Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
  • 10. Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
  • 11. Pur ti Miro (from 'L'incoronazione di Poppea')
  • 12. Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
  • 13. Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')

Amazon.com

Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert Levine

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