Mahler: Symphony No. 2 / Mehta, Vienna Philharmonic Orchestra

Gustav Mahler, Wiener Philharmoniker, Zubin Mehta, Ileana Cotrubas, Christa Ludwig Mahler: Symphony No. 2 / Mehta, Vienna Philharmonic Orchestra

Gustav Mahler
Wiener Philharmoniker
Zubin Mehta
Ileana Cotrubas
Christa Ludwig
Label: Decca
Number of Discs: 2
Format: Audio CD
Release date:13th June 2000

Original recording remastered Audio CD $6.47Buy now at Amazon

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Track Listing

  • 1. Symphony No. 2 in C minor ('Resurrection'): I. Allegro Maestoso: Mit Durchaus Ernstem Und Feierlichem Ausdruck
  • 2. Symphony No. 2 in C minor ('Resurrection'): II. Andante Moderato: Sehr Gemächlich
  • 3. Symphony No. 2 in C minor ('Resurrection'): III. In Ruhig Fließender Bewegung
  • 4. Symphony No. 2 in C minor ('Resurrection'): IV. 'Urlicht': Sehr Feierlich, Aber Schlicht
  • 5. Symphony No. 2 in C minor ('Resurrection'): V. Im Tempo Des Scherzo: Wild Herausfahrend
  • 6. Symphony No. 2 in C minor ('Resurrection'): Maestoso. Sehr Zurückhaltened -
  • 7. Symphony No. 2 in C minor ('Resurrection'): Sehr Langsam Und Gedehnt -
  • 8. Symphony No. 2 in C minor ('Resurrection'): Aufersteh'n, Ja Aufersteh'n Wirst Du': Langsam. Misterioso
  • 9. Symphony No. 2 in C minor ('Resurrection'): 'O Glaube, Mein Herz, O Glaube': Etwas Bewegter

Product Description

No Description Available
No Track Information Available
Media Type: CD
Artist: MAHLER,G.
Title: SYM 2
Street Release Date: 06/13/2000
Domestic
Genre: CLASSICAL COMPOSERS

Amazon.com

"Beg to report safe delivery of a strong, healthy last movement to my Second. Father and child doing as well as can be expected." So ran Mahler's jubilant message on completion of his "Resurrection" Symphony, which after several years' painful gestation had come together in his mind with a sudden flash of inspiration. It had begun as a single-movement funeral rite, and gradually taken shape under the influence of Schubert's music, but the choral conclusion of Beethoven's Ninth was its Grail. Zubin Mehta's 25-year-old recording is a superb addition to the ranks of contending interpretations. It is lighter on its feet than Bernstein's classic version, with all the elements in Mahler's tonal landscape brought out in high relief: by turns lush, austere, grandiose, and intimate. Here is the Vienna Phil at its best, with two incomparable voices on the bridge--Christa Ludwig's steely mezzo and Ileana Cotrubas's soaring soprano. The "Legendary" on the cover is not hype: This is still as good as it gets. --Michael Church

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