Voice of the Violin

Joshua Bell
Label: Sony
Number of Discs: 1
Format: Audio CD
Release date:5th September 2006

Studio ^{Audio CD}	$8.96

Studio ^{Audio CD}

$8.96

SMS Price Notifications

How it works

You send us a message as described above.
You will receive a message to your phone confirming your request.
You will receive a free message as soon as the album price has dropped to the price you stated.

Track Listing

1. Vocalise, Op. 34, No. 14
2. Ave Maria
3. Pourquoi me rÃ©veiller from Werther
4. AprÃ¨s un rÃªve, Op. 7, No. 1
5. Song to the Moon from Rusalka
6. Laudate Dominum from Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339
7. None but the Lonely Heart, Op. 6/6
8. Una furtiva lagrima from L'Elisir d'Amore
9. In trutina from Carmina Burana
10. May Breezes from Songs without Words, Op. 62, No. 1
11. Beau soir
12. Estrellita
13. Nana (Bercuese) from Siete conciones populares Espanolas
14. Je crois entendre encore from The Pearl Fishers
15. Morgen! Op. 27, No. 4

Product Description

flexfield5

Amazon.com

Constantly exhorted to "sing," string players naturally try to emulate that most beautiful musical instrument, the human voice; no wonder they literally want to get their fingers on the treasures of the vocal repertoire. Joshua Bell has appropriated some of its best-loved songs and operatic arias, from Mozart through the romantics to Orff. Slow, sustained, lovely and yes, singing, these beguiling melodies and wide emotional range are eminently well suited to the violin. Credit for most of the arrangements is given to J.A.C. Redford, a well-known film and television composer, and indeed the throbbing strings and jarring modulations typical of sound-tracks invade his orchestrations, in startling contrast to the composers' own. In Debussy's "Beau soir," pianist Frederic Chiu partners Bell so beautifully that one wishes he had supplanted the orchestra in all the songs with piano accompaniment. The violin transcriptions of the vocal line closely follow the originals, except for Redford's compulsive habit of adding octaves in the repeats and jumping from the lowest to the highest register. Of course, Bell is very good at all this, and it's the playing that's really the thing. His tone is ravishingly beautiful, warm on the G-string, radiant up high, and always deeply expressive. His love and innate feeling for the music---its inward simplicity, romantic yearning and passionate ardor---speak straight to the heart. In the only authentic violin part, the obbligato of Richard Strauss' "Morgen!" he is joined by the golden-voiced soprano Anna Netrebko; at first overly intense, she relaxes into a blissful, magical ending. --Edith Eisler

Other Albums You May Enjoy

At Home With Friends

Romance of the Violin

Write Your Review

Note: The test above is a necessary measure to prevent automated systems creating accounts and/or posting spam on the site. By creating a profile on this site you will never be asked to perform this task when you are logged in.