Joseph Calleja - Tenor Arias

Riccardo Chailly, Giuseppe Verdi, Giacomo Puccini, Gaetano Donizetti, Joseph Calleja Joseph Calleja - Tenor Arias

Riccardo Chailly
Giuseppe Verdi
Giacomo Puccini
Gaetano Donizetti
Joseph Calleja
Label: Decca
Number of Discs: 1
Format: Audio CD
Release date:11th May 2004

Studio Audio CD $10.54Buy now at Amazon

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Track Listing

  • 1. Lunge Da Lei... De' Miei Bollenti Spiriti
  • 2. O Mio Rimorsal
  • 3. O Figli, O Figli Miel! ... Ah, La Paterna Mano
  • 4. Questa O Quella
  • 5. Ell Mi Fu Rapita! Parmi Veder Le Lagrime
  • 6. Duca, Duca!
  • 7. Possente Amor Mi Chiama
  • 8. La Donna E Mobile
  • 9. Quanto E Bella
  • 10. Tombe Degli Avi Miei ... Fra Poco A Me Ncovero
  • 11. Oh Meschina
  • 12. Tu Che A Dio Spiegasti Itali
  • 13. La Dolcissima Effigie
  • 14. Lamento Di Federico
  • 15. Addio Fiorito Asil

Amazon.com

This is the debut recital of Calleja, a 26-year-old Maltese tenor. His voice is as bright as a new penny, with a quick vibrato and a sweetness---plangent at times---which is very appealing. He sings favorites here but imbues each of them with a really individual stamp: Alfredo's Act II aria from Traviata has rarely sounded so urgently youthful (here, and throughout, the leadership of Riccardo Chailly is wonderfully sensitive and alert); Macduff's aria is filled with sadness and sung with a long, heartfelt line; "Questo e quella" has swagger and so does "La donna รจ mobile," but neither is marred by giggles or outbursts of any kind, and the latter's cadenza encompasses every note, clearly articulated. His high notes tend to be a bit wiry (a D flat at the end of "Possente amor" is a dud) but they're still exciting. Edgardo's big scene from the end of Lucia rarely works on CD; here Calleja gives us the desperation, the shock and the tragedy in a vivid portr! ayal. All through the recital he's musically and textually attentive; he's scrupulous about the composer's markings and has thought about each character's situation. This is a very impressive introduction to a fine young tenor, and the presentation, with chorus where required and second verses included, is equally good. Bravo! --Robert Levine

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