Best of the Blues

Gary Moore
Label: Virgin Records Us
Number of Discs: 2
Format: Audio CD
Release date:9th April 2002

Studio ^{Audio CD}	$3.51

Studio ^{Audio CD}

$3.51

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Track Listing

1. Walking By Myself
2. Oh Pretty Woman
3. Still Got The Blues (Full Version)
4. Separate Ways
5. Since I Met You Baby
6. Story Of The Blues (Single Edit)
7. All Your Love
8. Too Tired
9. Need Your Love So Bad (Single Edit)
10. Midnight Blues
11. King Of The Blues
12. Jumpin' At Shadows
13. Texas Strut
14. Moving On
15. Stop Messin' Around
16. Parisienne Walkways-'93
17. The Supernatural
18. Caldonia
19. You Don't Love Me
20. Key To Love
21. The Thrill Is Gone
22. Stormy Monday
23. Cold, Cold Feeling
24. Further Up The Road
25. The Stumble
26. Oh Pretty Woman
27. Walking By Myself
28. Too Tired
29. Still Got The Blues
30. All Your Love
31. Midnight Blues

Album Description

German edition of 2002 compilation includes a bonus live disc with the following tracks 'Caldonia' (feat. Albert Collins & Albert King), 'You Don't Love Me', 'Key To Love', 'The Thrill Is Gone' (feat. BB King), 'Stormy Monday (feat. Albert King), 'Cold, Cold Feeling' (feat. Albert Collins), 'Further Up the Road' (feat. Albert Collins), 'The Stumble', 'Oh Pretty Woman', 'Walking By Myself', 'Too Tired' (feat. Albert Collins), 'Still Got The Blues', 'All Your Love' & Midnight Blues'.

Amazon.co.uk

Like the guitarist in Spinal Tap, Gary Moore has an amp that goes up to 11, and at times during the two and half hours of The Best of the Blues, you wonder if it's stuck there. Luckily, episodes of thunder and lightning are interspersed with performances like "Still Got the Blues," "Need Your Love So Bad," and "Midnight Blues" on the first disc of this two-CD set, or "Cold, Cold Feeling" on the second--calmer passages, where the storm clouds yield to shafts of silver light. Disc 1 is a selection from four early-'90s albums, featuring guest spots by Albert King, B.B. King, and Albert Collins, plus a concert recording of "Parisienne Walkways." Disc 2 has the same guests (on different songs) and a half-dozen of the same titles, but this is all unissued concert material. Live performance only stimulates Moore's tendency to skip the foreplay, producing music that is urgent, active, and seething with testosterone. Great stuff for a night in with the boys. --Tony Russell

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